Wife to be Sacrificed

Wife to be Sacrificed
Poster to the Nikkatsu Roman porno film, "Wife to be Sacrificed" (1974)
Starring	Naomi Tani Nagatoshi Sakamoto Terumi Azuma Hidetoshi Kageyama
Directed by	Masaru Konuma
Written by	Yōzō Tanaka
Editing by	Jun Nabeshima
Music by	Taichi Tsukimizato
Cinematography	Masaru Mori
Distributed by	Nikkatsu
Released	October 26, 1974 (Japan)
Runtime	71 minutes
Country	Japan
language	Japanese
AMG Info	All Movie Guide
IMDB Info	0228419 on IMDb

Wife to be Sacrificed (生贄夫人, Ikenie Fujin?) (1974) is a Japanese soft-core pornographic S/M film starring Naomi Tani and directed by Masaru Konuma. The film was produced by Nikkatsu studios as part of their Roman Porno series.

Synopsis

Akiko (Naomi Tani) is startled to find her estranged husband, Kunisada (Nagatoshi Sakamoto), in a car watching a young girl. When Akiko returns home, the girl, Miko, follows crying that "Uncle" has disappeared. Akiko turns the girl over to the police. Later, while she is giving ikebana lessons at home, the police return to ask Akiko for information about Kunisada. It is revealed that he had disappeared three years ago after being arrested for a sexual crime involving a high school girl.

Kunisada follows Akiko to her mother's grave, where he kidnaps her, and takes her to an isolated cabin in the countryside. Here he subjects her to numerous degrading sexual tortures and punishments for days on end. When Kunisada leaves the cabin to get Akiko's wedding dress from her home, Akiko escapes. Wearing only a sheet and the ropes she has been tied in, she meets two hunters who, instead of helping her, rape her. Kunisada finds her unconscious in the woods, cleans her and dresses her in her traditional Japanese wedding clothes, complete with make-up, and suspends her from pulleys in the cabin and shaves her pubic hair.

While fishing, Kunisada comes across an unconscious young couple-- Kaoru (Terumi Asusa) and Kiyoshi (Hidetoshi Kageyama)-- that had failed in committing double suicide. He rapes the girl, Kaoru, then takes them to the cabin where he binds them. After giving Kaoru an enema, he has Akiko have sex with Kiyoshi while Kunisada has sex with Kaoru. He continues submitting them to various humiliations in order to destroy their love for each other. After he thinks he has succeeded, he unties them and tells them he has no more use for them, they are free to stay or go.

By now Akiko has come to accept Kunisada's behavior, and apparently enjoy it. She pushes him even further with commands to, "Whip me harder... abuse me..." After one such session in the woods, Akiko and Kunisada return to the cabin where they find that the young couple has bound themselves together and committed double-suicide through strangulation. Akiko tells Kunisada that they have played the final joke on him.

Meanwhile, two police detectives are following Miko, believing that she will lead them to Kunisada. Miko eludes the police, but they find the cabin with the dead young couple still bound together and Akiko naked and tied up. When they attempt to release Akiko she tells them, "Don't untie me. I like it this way."

The police ask her where Kunisada has gone. Akiko replies that he has escaped, then, laughing, adds, "It's funny, but I think he's afraid of me."

As the end credits roll, Kunisada is walking through the countryside holding Miko's hand, and Akiko is still in the cabin, tied up naked and squirming.

Production

Wife to Be Sacrificed was filmed on location at an abandoned house, with an old-fashioned outhouse which is featured in perhaps the film's most controversial scene. Early in the film, Kunisada refuses to let Akiko relieve herself for a long period of time, and then forces her to defecate with the door open and him watching. About the fleeting shot of Akiko's excrement, Tani later commented that, "...back then, it was so shocking." Because of the controversial nature of the shot for its time, Konuma had to cut the one-second shot of Akiko's feces down to four frames, or one-sixth of a second. When interviewing Konuma, Hideo Nakata commented on the unusual color of the dropping. Konuma replied, "I made it like that! I thought a beautiful woman's turd should be thick and brightly colored. That's the imagery I wanted to shoot."

U.S. theatrical release

In 1998, in an effort to introduce the Japanese-film fans of America to one of the most popular Japanese film genres (i.e., the pinku eiga), Phaedra Cinema released Wife to be Sacrificed theatrically in the U.S. on a double-bill with Noburu Tanaka's A Woman Called Sada Abe (1975). It premiered in San Francisco in June, opening to very favorable reviews. Beginning October 30, 1998 it played for a week at the Monica 4-Plex theater in Los Angeles. Despite the film's age, it proved too controversial for some American critics. Critics from the Los Angeles Times left the theater in disgust within 20 minutes of the start of the film. Phaedra founder Greg Hatanaka commented, "Most people just don't understand the historical value of the films. If people walk in expecting Sex and Zen, well, they're obviously not going to get it. These are dark films, and very serious. And yes, shock value is a part of their appeal."

Availability

Image Entertainment, in partnership with KimStim Entertainment, released Wife to be Sacrificed on Region 1 DVD in the U.S. in 2003. This DVD presented the film in the original Japanese language with non-removable English subtitles and in a non-anamorphic widescreen format. This version of the film was re-released on May 10, 2005.

Image Entertainment and KimStim Entertainment released a second DVD of Wife to Be Sacrificed in November 2007. In addition to a digitally-restored version of the film in anamorphic format with removable English subtitles, extras on this disc include the film's original theatrical trailer and a biography of director Masaru Konuma. The major special feature of this disc is director Hideo Nakata's 2001 documentary on Konuma entitled Sadistic and Masochistic. At 91 minutes, this extra is longer than the main film on the disc. In addition to some biographical reminiscenses by Konuma, the documentary consists mostly of a series of meetings and interviews between Konuma and his old colleagues. The centerpiece of the film is a reunion with Naomi Tani. The director and the actress watch Wife to Be Sacrificed in a theater, and then discuss the making of the film at a restaurant. When the outhouse sequence of the film comes up during the conversation, Konuma looks at his dish and comments, to the amusement of both Tani and Nakata, "I really shouldn't have ordered curry"

See also Flower and Snake and/or [[{{{2}}}]]

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