Country Music Hall of Fame

Country Music Hall of Fame
Type of Museum:	History of Country Music
Established:	Established: 1967
Visitors:	More than 1.2 million in 2019
Director:	Kyle Young
Current status:	Active April, 2025
Address:	222 Rep. John Lewis Way S, Nashville, Tennessee 37203 (map)
Parking ?	Transport and parking
ADA friendly:	Disability accessability
Contact:	info@countrymusichalloffame.org
Phone #:	(615) 416-2001
Website:	http://www.countrymusichalloffame.org

Country Music Hall of Fame (2202)

The Country Music Hall of Fame and Museum in Nashville, Tennessee, is one of the world's largest museums and research centers dedicated to preserving and interpreting American vernacular music. Chartered in 1964, the museum has amassed one of the world's most extensive musical collections.

History of the museum

The Country Music Hall of Fame and Museum is the world's largest repository of country music artifacts. In the early 1960s, as the Country Music Association's (CMA) campaign to promote country music gained momentum, CMA leaders determined that a new organization was necessary to operate a country music museum and related activities beyond the CMA's scope as a trade organization. To this end, the nonprofit Country Music Foundation (CMF) was chartered by the state of Tennessee in 1964 to collect, preserve, and publicize information and artifacts relating to the history of country music. Through CMF, industry leaders raised funds, led by CMA Executive Director Jo Walker-Meador, to build the Country Music Hall of Fame and Museum, which opened on April 1, 1967. The original building was a barn-shaped structure located at the head of Music Row, erected on the site of a small Nashville city park. This hall of fame was modeled after the National Baseball Hall of Fame and Museum in Cooperstown, New York. At this point, artifacts began to be displayed, and a small library was started in a loft above one of the museum's galleries.

Early in the 1970s, the basement of the museum building was partially completed, and the expansion of the library began, incorporating not only recordings, but also books, periodicals, sheet music, songbooks, photographs, business documents, and other materials. Initially, the CMA staff managed the museum, but by 1972, the museum, already governed by its own independent board of directors, had acquired its own small staff.

Building expansions occurred in 1974, 1977, and 1984 to accommodate the museum's growing collection of costumes, films, historic cars, musical instruments, and other artifacts. An education department was established to conduct ongoing programs with Middle Tennessee schools; an oral history program was initiated; and a publications department was created to manage books, as well as the Journal of Country Music.

Current museum

To become more accessible, the Country Music Hall of Fame and Museum moved to a new, 140,000-square-foot (13,000 m2) facility in the heart of downtown Nashville's arts and entertainment district in May 2001. In 2014, the museum unveiled a $100 million expansion, doubling its size to 350,000 square feet of galleries, archival storage, education classrooms, retail stores, and special event space.

In the museum's core exhibition, Sing Me Back Home: A Journey Through Country Music, visitors are immersed in the history and sounds of country music. The story is revealed through artifacts, photographs, text panels, recorded sound, vintage video, and interactive touchscreens. Sing Me Back Home is enhanced by rotating limited-engagement exhibits. The ACM Gallery and the Dinah and Fred Gretsch Family Gallery feature artifacts from today's country stars and a series of technology-enhanced activities. The ACM Gallery houses the annual exhibition, American Currents: State of Music, which chronicles country music's most recent past.

In addition to the galleries, the museum has the 776-seat CMA Theater, the Taylor Swift Education Center, and multi-purpose event rental spaces. Other historic properties of the Country Music Hall of Fame and Museum include one of the country's oldest letterpress print shop Hatch Show Print (located inside the museum) and Historic RCA Studio B (located on Music Row), Nashville's oldest surviving recording studio, where recordings by Country Music Hall of Fame members Elvis Presley, Dolly Parton, Waylon Jennings, and many others were made.

The Country Music Hall of Fame and Museum has developed multiple platforms to make its collection accessible to a wider audience. From weekly instrument demonstrations to its flagship songwriting program for schools, Words & Music, the museum offers an aggressive schedule of educational and family programs. The museum also operates CMF Records, a Grammy-winning re-issue label (The Complete Hank Williams and Night Train to Nashville: Music City Rhythm & Blues, 1945–1970); and CMF Press, a publishing imprint that has released books in cooperation with Vanderbilt University Press and other major trade publishing houses.

The Hall of Fame Rotunda features a mural, " The Sources of Country Music, " by Thomas Hart Benton. It was Benton's final work, as he died in his studio while completing it.

The Country Music Hall of Fame

For a professional in the country music field, membership in the Country Music Hall of Fame is the highest honor the genre can bestow. An invitation can be extended to performers, songwriters, broadcasters, musicians, and executives in recognition of their contributions to the development of country music. The Hall of Fame honor was created in 1961 by the Country Music Association (CMA); the first inductees were Hank Williams, Jimmie Rodgers, and Fred Rose. Roy Acuff, the first living artist to join the Hall of Fame, was elected in 1962. The most recent inductees (class of 2025) are Tony Brown, June Carter Cash, and Kenny Chesney.

Throughout the Hall of Fame's history, the number of new members inducted each year has varied from one to twelve (no nominee was inducted in 1963, no candidate having received sufficient votes). Election to the Country Music Hall of Fame is solely the prerogative of the CMA. New members, elected annually by a panel of industry executives selected by the CMA, are formally inducted during the Medallion Ceremony, which is part of the annual reunion of Country Music Hall of Fame members hosted by the Country Music Hall of Fame and Museum. The Country Music Hall of Fame® and Museum is a 501(c)(3) non-profit educational organization and does not participate in the election.

Bas-relief portraits (similar to that in the Baseball Hall of Fame in New York) cast in bronze to honor each Hall of Fame member were originally displayed at the Tennessee State Museum in downtown Nashville until the Country Music Hall of Fame and Museum opened its own building in April 1967; in this barn-roofed facility at the head of Music Row, the bronze plaques formed a special exhibit. Through a licensing agreement with the CMA, the Museum displays the bronze plaques commemorating membership in a manner and style befitting the honor.

The Museum collection

The museum's collections document country music from its folk roots to the present day. Artifacts and archival materials not on exhibit are stored in the museum's secure, climate-controlled collections storage rooms, which span 46,000 square feet, as well as in the Frist Library and Archives located on the museum's third floor. The collection includes:

The Bob Pinson Recorded Sound Collection comprising over 250,000 sound recordings, including an estimated 98% of all pre-World War II country recordings released commercially
Approximately 500,000 photographic prints, negatives, transparencies and digital images
More than 30,000 moving images on film, video and digital formats
Over 900 musical instruments, including Mother Maybelle Carter's Gibson L-5 guitar, Bob Wills's fiddle, Chet Atkins's 1950 D'Angelico archtop guitar and Bill Monroe's mandolin
Thousands of stage costumes and accessories, from rhinestone-encrusted "Nudie suits" to homemade cotton dresses, formal gowns, cowboy boots, hats, and jeans
Oral histories, handwritten song manuscripts, scrapbooks, correspondence, fan club newsletters, sheet music, business documents, periodicals, and books
Iconic Vehicles: Elvis Presley's 1960 "Solid Gold" Cadillac limousine, Webb Pierce's 1962 Pontiac Bonneville convertible, and Jerry Reed's 1980 Pontiac Trans Am from Smokey and the Bandit II.