Louis Armstrong

Louis Armstrong
Armstrong in 1953
Background information
Born as:	Louis Daniel Armstrong
Born	Aug 4, 1901 New Orleans, Louisiana, U.S.
Died	Jul 6, 1971 - age  70 New York City, U.S.
Education:	Colored Waif's Home for Boys, Fisk School for Boys
Spouse(s):	Daisy Parker (1919 - 1923) divorced Lil Hardin Armstrong (1924 - 1938) divorced Alpha Smith (1938 - 1942) divorced Lucille Wilson (1942 - )
Children:	1
Occupation:	Musician, singer
Instrument{s}	Vocals, trumpet
Years active	1919–1971
Genre(s):	Dixieland jazz, Swing music, traditional pop

Louis Daniel Armstrong (✦August 4, 1901 – †July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz.

Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the Creole Jazz Band . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featured and musically influential band soloist and recording artist. Hardin became Armstrong's second wife and they returned to Chicago to play together then he began to form his own "Hot" jazz bands. After years of touring, he settled in Queens, and by the 1950s, he was a national musical icon, assisted in part, by his appearances on radio and in film and television, in addition to his concerts.

With his instantly recognizable rich, gravelly voice, Armstrong was also an influential singer and skillful improviser, bending the lyrics and melody of a song. He was also skilled at scat singing. Armstrong is renowned for his charismatic stage presence and voice as well as his trumpet playing. By the end of Armstrong's life, his influence had spread to popular music in general. Armstrong was one of the first popular African-American entertainers to "cross over" to wide popularity with white (and international) audiences. He rarely publicly politicized his race, to the dismay of fellow African Americans, but took a well-publicized stand for desegregation in the Little Rock crisis. He was able to access the upper echelons of American society at a time when this was difficult for black men.

Armstrong appeared in films such as High Society (1956) alongside Bing Crosby, Grace Kelly, and Frank Sinatra, and Hello, Dolly! (1969) starring Barbra Streisand. He received many accolades, including three Grammy Award nominations and a win for his vocal performance of Hello, Dolly! in 1964. In 2017, he was posthumously inducted into the Rhythm & Blues Hall of Fame.

Early life

Armstrong was born in New Orleans on August 4, 1901. His parents were Mary Albert and William Armstrong. Mary Albert was from Boutte, Louisiana, and gave birth at home when she was about sixteen. William Armstrong abandoned the family shortly after. About two years later, they had a daughter, Beatrice "Mama Lucy" Armstrong, who was raised by Albert.

Louis Armstrong was raised by his grandmother until the age of five, when he was returned to his mother. He spent his youth in poverty in a rough neighborhood known as The Battlefield, on the southern section of Rampart Street. At six he attended the Fisk School for Boys, a school that accepted black children in the racially segregated system of New Orleans.

At the age of 6, Armstrong lived with his mother and sister and worked for the Karnoffskys, a family of Lithuanian Jews, at their home. He would help their two sons, Morris and Alex, collect "rags and bones" and deliver coal. In 1969, while recovering from heart and kidney problems at Beth Israel Hospital in New York City, Armstrong wrote "Louis Armstrong + the Jewish Family in New Orleans, LA., the year of 1907" a memoir describing his time working for the Karnofsky family. Armstrong writes about singing "Russian Lullaby" with the Karnofsky family when their baby son David was put to bed and credited the family with teaching him to sing "from the heart." Curiously, Armstrong quotes lyrics for it that appear to be the same as the "Russian Lullaby," copyrighted by Irving Berlin in 1927, about twenty years after Armstrong remembered singing it as a child. Gary Zucker, Armstrong's doctor at Beth Israel hospital in 1969, shared Berlin's song lyrics with him, and Armstrong quoted them in the memoir. This inaccuracy may simply be because he wrote the memoir over 60 years after the events described.

Regardless, the Karnoffskys treated Armstrong extremely well. Knowing he lived without a father, they fed and nurtured him. In his memoir Louis Armstrong + the Jewish Family in New Orleans, La., the Year of 1907, he described his discovery that this family was also subject to discrimination by "other white folks" who felt that they were better than Jews: "I was only seven years old but I could easily see the ungodly treatment that the white folks were handing the poor Jewish family whom I worked for." He wrote about what he learned from them: "how to live—real life and determination." His first musical performance may have been at the side of the Karnoffskys' junk wagon. To distinguish them from other hawkers, he tried playing a tin horn to attract customers. Morris Karnoffsky gave Armstrong an advance toward the purchase of a cornet from a pawn shop. Armstrong wore a Star of David until the end of his life in memory of the family who had raised him.

When Armstrong was eleven, he dropped out of school. His mother moved into a one-room house on Perdido Street with Armstrong, Lucy, and her common-law husband, Tom Lee, next door to her brother Ike and his two sons. Armstrong joined a quartet of boys who sang in the streets for money. He also got into trouble. Cornetist Bunk Johnson said he taught the eleven-year-old to play by ear at Dago Tony's honky tonk. (In his later years, Armstrong credited King Oliver.) He said about his youth, "Every time I close my eyes blowing that trumpet of mine—I look right in the heart of good old New Orleans ... It has given me something to live for."

Borrowing his stepfather's gun without permission, he fired a blank into the air and was arrested on December 31, 1912. He spent the night at New Orleans Juvenile Court, then was sentenced the next day to detention at the Colored Waif's Home. Life at the home was spartan. Mattresses were absent; meals were often little more than bread and molasses. Captain Joseph Jones ran the home like a military camp and used corporal punishment.

Armstrong developed his cornet skills by playing in the band. Peter Davis, who frequently appeared at home at the request of Captain Jones, became Armstrong's first teacher and chose him as bandleader. With this band, the thirteen-year-old Armstrong attracted the attention of Kid Ory.

On June 14, 1914, Armstrong was released into the custody of his father and his new stepmother, Gertrude. He lived in this household with two stepbrothers for several months. After Gertrude gave birth to a daughter, Armstrong's father never welcomed him, so he returned to his mother, Mary Albert. In her small home, he had to share a bed with his mother and sister. His mother still lived in The Battlefield, leaving him open to old temptations, but he sought work as a musician. He found a job at a dance hall owned by Henry Ponce, who had connections to organized crime. He met the six-foot tall drummer Black Benny, who became his guide and bodyguard. Around the age of fifteen, he pimped for a prostitute named Nootsy, but that relationship failed after she stabbed Armstrong in the shoulder and his mother choked her nearly to death.

He briefly studied shipping management at the local community college but was forced to quit after being unable to afford the fees. While selling coal in Storyville, he heard spasm bands, groups that played music out of household objects. He heard the early sounds of jazz from bands that played in brothels and dance halls such as Pete Lala's, where King Oliver performed.

Personal life

Pronunciation of name

The Louis Armstrong House Museum website states:

Judging from home-recorded tapes now in our Museum Collections, Louis pronounced his own name as "Lewis". On his 1964 record "Hello, Dolly", he sings, "This is Lewis, Dolly" but in 1933 he made a record called "Laughin' Louie". Many broadcast announcers, fans, and acquaintances called him "Louie" and in a videotaped interview from 1983 Lucille Armstrong calls her late husband "Louie" as well. Musicians and close friends usually called him "Pops".

In a memoir written for Robert Goffin between 1943 and 1944, Armstrong states, "All white folks call me Louie," perhaps suggesting that he himself did not or, on the other hand, that no whites addressed him by one of his nicknames such as Pops. That said, Armstrong was registered as "Lewie" for the 1920 U.S. Census. On various live records he's called "Louie" on stage, such as on the 1952 "Can Anyone Explain?" from the live album In Scandinavia vol.1. The same applies to his 1952 studio recording of the song "Chloe", where the choir in the background sings "Louie ... Louie", with Armstrong responding "What was that? Somebody called my name?" "Lewie" is the French pronunciation of "Louis" and is commonly used in Louisiana.

Family

Armstrong was performing at the Brick House in Gretna, Louisiana, when he met Daisy Parker, a local prostitute. He started the affair as a client. He returned to Gretna on several occasions to visit her. He found the courage to look for her home to see her away from work. It was on this occasion he found out she had a common-law husband. Not long after this fiasco, Parker traveled to Armstrong's home on Perdido Street. They checked into Kid Green's hotel that evening. On the next day, March 19, 1919, Armstrong and Parker married at City Hall. They adopted a three-year-old boy, Clarence, whose mother, Armstrong's cousin Flora, had died soon after giving birth. Clarence Armstrong was mentally disabled as the result of a head injury at an early age, and Armstrong spent the rest of his life taking care of him. His marriage to Parker ended when they separated in 1923.

On February 4, 1924, he married Lil Hardin Armstrong, King Oliver's pianist. She had divorced her first husband a few years earlier. His second wife helped him develop his career, but they separated in 1931 and divorced in 1938. Armstrong then married Alpha Smith. His relationship with Alpha began while he was playing at the Vendome during the 1920s and continued long after. His marriage to her lasted four years; they divorced in 1942. Louis then married Lucille Wilson, a singer at the Cotton Club in New York, in October 1942; they remained married until his death in 1971.

Armstrong's marriages never produced any offspring. However, in December 2012, 57-year-old Sharon Preston-Folta claimed to be his daughter from a 1950s affair between Armstrong and Lucille "Sweets" Preston, a dancer at the Cotton Club. In a 1955 letter to his manager, Joe Glaser, Armstrong affirmed his belief that Preston's newborn baby was his daughter, and ordered Glaser to pay a monthly allowance of $400 ($5,058 in 2021 dollars) to mother and child.

Personality

Armstrong was noted for his colorful and charismatic personality. His autobiography vexed some biographers and historians, as he had a habit of telling tales, particularly of his early childhood when he was less scrutinized, and the embellishments of his history often lack consistency.

In addition to being an entertainer, Armstrong was a leading personality of the day. He was beloved by an American public that gave even the greatest African American performers little access beyond their public celebrity. He was able to live a private life of access and privilege afforded to few other African Americans during that era.

He generally remained politically neutral, which at times alienated him from members of the black community who looked to him to use his prominence with white America to become more of an outspoken figure during the civil rights movement. However, he did criticize President Eisenhower for not acting forcefully enough on civil rights.

Health problems

The trumpet is a notoriously hard instrument on the lips, and Armstrong suffered from lip damage over much of his life due to his aggressive style of playing and preference for narrow mouthpieces that would stay in place more easily, but which tended to dig into the soft flesh of his inner lip. During his 1930s European tour, he suffered an ulceration so severe that he had to stop playing entirely for a year. Eventually, he took to using salves and creams on his lips and also cutting off scar tissue with a razor blade. By the 1950s, he was an official spokesman for Ansatz-Creme Lip Salve.

During a backstage meeting with trombonist Marshall Brown in 1959, Armstrong received the suggestion that he should go to a doctor and receive proper treatment for his lips instead of relying on home remedies, but he did not get around to arranging it until the final years of his life, by which point his health was failing and doctors considered surgery too risky.

Also in 1959, Armstrong was hospitalized for pneumonia while on tour in Italy. Doctors were concerned about his lungs and heart, but by June 26 he rallied.

Nicknames

The nicknames "Satchmo" and "Satch" are short for "Satchelmouth". The nickname has many possible origins. The most common tale that biographers tell is the story of Armstrong as a young boy in New Orleans dancing for pennies. He scooped the coins off the street and stuck them into his mouth to prevent bigger children from stealing them. Someone dubbed him "satchel mouth" for his mouth acting as a satchel. Another tale is that because of his large mouth, he was nicknamed "satchel mouth" which was shortened to "Satchmo".

Early on he was also known as "Dipper", short for "Dippermouth", a reference to the piece Dippermouth Blues and something of a riff on his unusual embouchure.

The nickname "Pops" came from Armstrong's tendency to forget people's names and simply call them "Pops" instead. The nickname was turned on Armstrong himself. It was used as the title of a 2010 biography of Armstrong by Terry Teachout.

After a competition at the Savoy, he was crowned and nicknamed "King Menelik", after the Emperor of Ethiopia, for slaying "ofay jazz demons".

Race

Armstrong always celebrated his heritage as an African American man from a poor New Orleans neighborhood and tried to avoid what he called "putting on airs." Many younger black musicians criticized Armstrong for playing in front of segregated audiences, and for not taking a strong enough stand in the American civil rights movement. When he did speak out, it made national news, including his criticism of President Dwight D. Eisenhower, calling him "two-faced" and "gutless" because of his inaction during the conflict over school desegregation in Little Rock, Arkansas, in 1957. As a protest, Armstrong canceled a planned tour of the Soviet Union on behalf of the State Department saying: "The way they're treating my people in the South, the government can go to hell" and that he could not represent his government abroad when it was in conflict with its own people. The FBI kept a file on Armstrong for his outspokenness about integration.

Religion

When asked about his religion, Armstrong answered that he was raised a Baptist, always wore a Star of David, and was friends with the pope. He wore the Star of David in honor of the Karnoffsky family, who took him in as a child and lent him money to buy his first cornet. He was baptized a Catholic in the Sacred Heart of Jesus Church in New Orleans,and he met Pope Pius XII and Pope Paul VI.

Personal habits

Armstrong was concerned with his health. He used laxatives to control his weight, a practice he advocated both to acquaintances and in the diet plans he published under the title Lose Weight the Satchmo Way. Armstrong's laxative of preference in his younger days was Pluto Water. Still, when he discovered the herbal remedy, Swiss Kriss, he became an enthusiastic convert, extolling its virtues to anyone who would listen and pass out packets to everyone he encountered, including members of the British Royal Family. (Armstrong also appeared in humorous, albeit risqué, cards that he had printed to send out to friends; the cards bore a picture of him sitting on a toilet—as viewed through a keyhole—with the slogan "Satch says, 'Leave it all behind ya!'") The cards have sometimes been incorrectly described as ads for Swiss Kriss. In a live recording of "Baby, It's Cold Outside" with Velma Middleton, he changes the lyric from "Put another record on while I pour" to "Take some Swiss Kriss while I pour". His laxative use began as a child when his mother would collect dandelions and peppergrass around the railroad tracks to give to her children for their health.

Armstrong was a heavy marijuana smoker for much of his life and spent nine days in jail in 1930 after being arrested for drug possession outside a club. He described marijuana as "a thousand times better than whiskey".

The concern with his health and weight was balanced by his love of food, reflected in such songs as "Cheesecake", "Cornet Chop Suey", though "Struttin' with Some Barbecue" was written about a fine-looking companion, not about food.[115] He kept a strong connection throughout his life to the cooking of New Orleans, always signing his letters, "Red beans and ricely yours ..."

A fan of Major League Baseball, he founded a team in New Orleans that was known as Raggedy Nine and transformed the team into his Armstrong's "Secret Nine Baseball".

Writings

Armstrong's gregariousness extended to writing. On the road, he constantly wrote, sharing favorite themes of his life with correspondents around the world. He avidly typed or wrote on whatever stationery was at hand, recording instant takes on music, sex, food, childhood memories, his heavy "medicinal" marijuana use—and even his bowel movements, which he gleefully described.

Social organizations Louis Armstrong was not, as is often claimed, a Freemason. Although he is usually listed as being a member of Montgomery Lodge No. 18 (Prince Hall) in New York, no such lodge has ever existed. However, Armstrong stated in his autobiography that he was a member of the Knights of Pythias, which although real, is not a Masonic group. During krewe's 1949 Mardi Gras parade, Armstrong presided as King of the Zulu Social Aid & Pleasure Club, for which he was featured on the cover of Time magazine.

Career

Wikipedia article: Louis Armstrong Career

Film, television, and radio

Wikipedia article: Louis Armstrong Film, television, and radio

Death

Against his doctor's advice, Armstrong played a two-week engagement in March 1971 at the Waldorf-Astoria's Empire Room. At the end of it, he was hospitalized for a heart attack. He was released from the hospital in May, and quickly resumed practicing his trumpet playing. Still hoping to get back on the road, Armstrong died of a heart attack in his sleep on July 6, 1971, two days after celebrating his alleged 71st birthday, and a month before his actual 70th birthday. He was residing in Corona, Queens, New York City, at the time of his death. He was interred in Flushing Cemetery, Flushing, in Queens, New York City. His honorary pallbearers included Bing Crosby, Ella Fitzgerald, Dizzy Gillespie, Pearl Bailey, Count Basie, Harry James, Frank Sinatra, Ed Sullivan, Earl Wilson, Alan King, Johnny Carson and David Frost. Peggy Lee sang "The Lord's Prayer" at the services while Al Hibbler sang "Nobody Knows the Trouble I've Seen" and Fred Robbins, a long-time friend, gave the eulogy.

Awards and honors Armstrong was posthumously awarded the Grammy Lifetime Achievement Award in 1972 by the Academy of Recording Arts and Sciences. This Special Merit Award is presented by vote of the Recording Academy's National Trustees to performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording.

Wikipedia article: Louis Armstrong

External links

Note:   Louis Armstrong was a volunteer at the Hollywood Canteen

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