Direct-to-video

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Direct-to-video or straight-to-video refers to the release of a film, TV series, short or special to the public immediately on home video formats rather than a theatrical release or television broadcast.

Because inferior sequels or prequels of larger-budget films may be released direct-to-video, review references to direct-to-video releases are often pejorative. The direct-to-video release has also become profitable for independent filmmakers and smaller companies. Some direct-to-video genre films (with a high-profile star) can generate well in excess of $50 million revenue worldwide.

Reasons for releasing direct to video

A production studio may decide not to generally release a TV show or film for several possible reasons: a low budget, a lack of support from a TV network, negative reviews, its controversial nature, that it may appeal to a small niche market, or a simple lack of general public interest. Studios, limited in the annual number of films to which they grant cinematic releases, may choose to pull the completed film from the theaters, or never exhibit it in theaters at all. Studios then generate revenue through video sales and rentals. Direct-to-video films are marketed mostly through colorful box covers, instead of advertising, and are not covered by publications like Leonard Maltin's Movie Guide.

Direct-to-video releases have historically carried a stigma of lower technical or artistic quality than theatrical releases. Some films released direct-to-video are films that have been completed but were never released in movie theaters. This delay often occurs when a studio doubts a film's commercial prospects justify a full cinema release, or because its release window has closed. In film industry slang, such films are referred to as having been "vaulted". Like B-movies shown in drive-in theaters in the mid-20th century, direct-to-video films employ both former stars and young actors who may become stars later.

Direct-to-video releases can be done for films that cannot be shown theatrically due to controversial content, or because the cost involved in a theatrical release is beyond the releasing company.

Animated sequels and feature-length episodes of animated series are also often released in this fashion. The practice of creating and releasing regular fiction specifically for the video didn't really take off until 1994 with Disney's The Return of Jafar and Universal's The Land Before Time II: The Great Valley Adventure, neither of which was intended to hit theaters at any point in its production.

By 1994 an average of six new direct-to-video films appeared each week. Erotic thrillers and R-rated action films were the two most successful genres. Family films became more important than such genres later in the 1990s, as retailers stocked more copies of blockbuster films instead of more titles. According to the Los Angeles Times:

Often, the downfall of live-action family films at the box office is their strength on video. Their appeal is to families with young children, who may go to only a couple of movies per year but who will watch many videos multiple times. The teens and young adults who drive blockbuster box office statistics stay away from family movies.

Some horror films that are unsuccessful in theaters, like Witchcraft, begin successful direct-to-video series. Studios may also release sequels or spin-offs to a successful live-action film straight to DVD, due to a lack of budget in comparison to the original.

Pornography

During the Golden Age of Porn in the 1970s, many pornographic films were released in theatres, some of which became some of the highest-grossing films in their release years, and in the pornography industry altogether. Toward the 1980s, porn began to shift to video release, because video allowed the producers to work on extremely low budgets and dispense with some film production elements, like scripts, and the increased privacy and convenience of the format change were preferred by the target market.

During the late 1990s and onward, pornographers began releasing content through paysites on the Internet.

More information is available at [ Wikipedia:Direct-to-video ]
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