Cary Grant
| Cary Grant | ||
.jpg) Grant in 1941 | ||
| Background information | ||
| Born as: | Archibald Alec Leach | |
| Born | Jan 18, 1904 Bristol, England | |
| Died | Nov 29, 1986 - age 81 Davenport, Iowa, U.S. Stroke at 82 | |
| Occupation: | Actor, businessman | |
| Works | Performances on stage and screen | |
| Years active | 1922–1966 | |
| Awards: | Academy Honorary Award (1970) Kennedy Center Honors (1981) | |
| Citizenship: | * United Kingdom (from birth 1904) * United States (from 1942) | |
Cary Grant (born Archibald Alec Leach; ✦January 18, 1904 – †November 29, 1986) was an English-American actor. He was known for his Mid-Atlantic accent, debonair demeanor, light-hearted approach to acting, and sense of comic timing. He was one of classic Hollywood's definitive leading men from the 1930s until the mid-1960s.
Grant was born and brought up in Bristol, England. He became attracted to the theater at a young age when he visited the Bristol Hippodrome. At 16, he went as a stage performer with the Pender Troupe for a tour of the US. After a series of successful performances in New York City, he decided to stay there. He established a name for himself in vaudeville in the 1920s and toured the United States before moving to Hollywood in the early 1930s.
Grant initially appeared in crime films and dramas such as Blonde Venus (1932) with Marlene Dietrich and She Done Him Wrong (1933) with Mae West, but later gained renown for his performances in romantic screwball comedies such as The Awful Truth (1937) with Irene Dunne, Bringing Up Baby (1938) with Katharine Hepburn, His Girl Friday (1940) with Rosalind Russell, and The Philadelphia Story (1940) with Hepburn and James Stewart. These pictures are frequently cited among the greatest comedy films of all time. Other well-known films in which he starred in this period were the adventure Gunga Din (1939) and the dark comedy Arsenic and Old Lace (1944). He also began to move into dramas such as Only Angels Have Wings (1939) with Jean Arthur, Penny Serenade (1941) again with Dunne, and None but the Lonely Heart (1944) with Ethel Barrymore; he was nominated for the Academy Award for Best Actor for the latter two.
During the 1940s and 50s, Grant had a close working relationship with director Alfred Hitchcock, who cast him in four films: Suspicion (1941) opposite Joan Fontaine, Notorious (1946) opposite Ingrid Bergman, To Catch a Thief (1955) with Grace Kelly, and North by Northwest (1959) with James Mason and Eva Marie Saint, with Notorious and North by Northwest becoming particularly critically acclaimed. The suspense-dramas Suspicion and Notorious both involved Grant playing darker, morally ambiguous characters. Toward the end of his career, Grant was praised by critics as a romantic leading man, and he received five nominations for the Golden Globe Award for Best Actor, including for Indiscreet (1958) with Bergman, That Touch of Mink (1962) with Doris Day, and Charade (1963) with Audrey Hepburn. He is remembered by critics for his unusually broad appeal as a handsome, suave actor who did not take himself too seriously, able to play with his own dignity in comedies without sacrificing it entirely.
Grant was married five times, three of them elopements with actresses Virginia Cherrill (1934–1935), Betsy Drake (1949–1962), and Dyan Cannon (1965–1968). He had a daughter Jennifer Grant with Cannon. He retired from film acting in 1966 and pursued numerous business interests, representing cosmetics firm Fabergé and sitting on the board of Metro-Goldwyn-Mayer. In 1970, he was presented with an Honorary Oscar by his friend Frank Sinatra at the 42nd Academy Awards, and he was accorded the Kennedy Center Honors in 1981. He died of a stroke on November 29, 1986 in Davenport, Iowa, aged 82. In 1999, the American Film Institute named him the second greatest male star of Golden Age Hollywood cinema, trailing only Humphrey Bogart.
Later years
Grant retired from the screen in 1966 at the age of 62 when his daughter Jennifer Grant was born to focus on bringing her up and to provide a sense of permanence and stability in her life. He had become increasingly disillusioned with cinema in the 1960s, rarely finding a script of which he approved. He remarked: "I could have gone on acting and playing a grandfather or a bum, but I discovered more important things in life". He knew after he had made Charade that the "Golden Age" of Hollywood was over. He expressed little interest in making a career comeback, and would respond to the suggestion with "fat chance". He did, however, briefly appear in the audience of the video documentary for Elvis's 1970 Las Vegas concert Elvis: That's the Way It Is. In the 1970s, he was given the negatives from a number of his films, and he sold them to television for a sum of over two million dollars in 1975.
Morecambe and Stirling argue that Grant's absence from film after 1966 was not because he had "irrevocably turned his back on the film industry", but because he was "caught between a decision made and the temptation to eat a bit of humble pie and re-announce himself to the cinema-going public". In the 1970s, MGM was keen on remaking Grand Hotel (1932) and hoped to lure Grant out of retirement. Hitchcock had long wanted to make a film based on the idea of Hamlet, with Grant in the lead role. Grant stated that Warren Beatty had made a big effort to get him to play the role of Mr. Jordan in Heaven Can Wait (1978), which eventually went to James Mason. Morecambe and Stirling claim that Grant had also expressed an interest in appearing in A Touch of Class (1973), The Verdict (1982), and a film adaptation of William Goldman's 1983 book about screenwriting, Adventures in the Screen Trade.
In the late 1970s and early 1980s, Grant became troubled by the deaths of many close friends, including Howard Hughes in 1976, Howard Hawks in 1977, Lord Mountbatten and Barbara Hutton in 1979, Alfred Hitchcock in 1980, Grace Kelly and Ingrid Bergman in 1982, and David Niven in 1983. At the funeral of Mountbatten, he was quoted as remarking to a friend: "I'm absolutely pooped, and I'm so goddamned old…. I'm going to quit all next year. I'm going to lie in bed... I shall just close all doors, turn off the telephone, and enjoy my life". Grace Kelly's death was the hardest on him, as it was unexpected and the two had remained close friends after filming To Catch a Thief. Grant visited Monaco three or four times each year during his retirement and showed his support for Kelly by joining the board of the Princess Grace Foundation.
In 1980, the Los Angeles County Museum of Art put on a two-month retrospective of more than 40 of Grant's films. In 1982, he was honored with the "Man of the Year" award by the New York Friars Club at the Waldorf-Astoria Hotel. He turned 80 on January 18, 1984, and Peter Bogdanovich noticed that a "serenity" had come over him. Grant was in good health until he had a mild stroke in October that year. In the last few years of his life, he undertook tours of the United States in the one-man show "A Conversation with Cary Grant", in which he would show clips from his films and answer audience questions. He made some 36 public appearances in his last four years, from New Jersey to Texas, and his audiences ranged from elderly film buffs to enthusiastic college students discovering his films for the first time. Grant admitted that the appearances were "ego-fodder", remarking that "I know who I am inside and outside, but it's nice to have the outside, at least, substantiated".
Business interests
Stirling refers to Grant as "one of the shrewdest businessmen ever to operate in Hollywood". His long-term friendship with Howard Hughes from the 1930s onward saw him invited into the most glamorous circles in Hollywood and their lavish parties. Biographers Morecambe and Stirling state that Hughes played a major role in the development of Grant's business interests so that by 1939, he was "already an astute operator with various commercial interests". Scott also played a role, encouraging Grant to invest his money in shares, making him a wealthy man by the end of the 1930s. In the 1940s, Grant and Barbara Hutton invested heavily in real estate development in Acapulco at a time when it was little more than a fishing village and teamed up with Richard Widmark, Roy Rogers, and Red Skelton to buy a hotel there. Behind his business interests was a particularly intelligent mind, to the point that his friend David Niven once said: "Before computers went into general release, Cary had one in his brain". Film critic David Thomson believes that Grant's intelligence came across on screen, and stated that "no one else looked so good and so intelligent at the same time".
After Grant retired from the screen, he became more active in business. He accepted a position on the board of directors at Fabergé. This position was not honorary, as some had assumed; Grant regularly attended meetings and traveled internationally to support them. His pay was modest in comparison to the millions of his film career, with a salary of a reported $15,000 a year. Such was Grant's influence on the company that George Barrie once claimed that Grant had played a role in the growth of the firm to annual revenues of about $50 million in 1968, a growth of nearly 80% since the inaugural year in 1964. The position also permitted the use of a private plane, which Grant could use to fly to see his daughter wherever her mother, Dyan Cannon, was working.
In 1975, Grant was an appointed director of MGM. In 1980, he sat on the board of MGM Films and MGM Grand Hotels following the division of the parent company. He played an active role in the promotion of MGM Grand Hotel in Las Vegas when opened in 1973, and he continued to promote the city throughout the 1970s. When Allan Warren met Grant for a photo shoot that year he noticed how tired Grant looked, and his "slightly melancholic air". Grant later joined the boards of Hollywood Park, the Academy of Magical Arts (The Magic Castle, Hollywood, California), and Western Airlines (acquired by Delta Air Lines in 1987).
Personal life
Grant became a naturalized United States citizen on June 26, 1942, aged 38, at which time he also legally changed his name to "Cary Grant". At the time of his naturalization, he listed his middle name as "Alexander" rather than "Alec".
One of the wealthiest stars in Hollywood, Grant owned houses in Beverly Hills, Malibu, and Palm Springs. He was immaculate in his personal grooming, and Edith Head, the renowned Hollywood costume designer, appreciated his "meticulous" attention to detail and considered him to have had the greatest fashion sense of any actor she had worked with. McCann attributed his "almost obsessive maintenance" with tanning, which deepened the older he got, to Douglas Fairbanks, who also had a major influence on his refined sense of dress. McCann notes that because Grant came from a working-class background and was not well educated, he made a particular effort over the course of his career to mix with high society and absorb their knowledge, manners and etiquette to compensate and cover it up. His image was meticulously crafted from the early days in Hollywood, where he would frequently sunbathe and avoid being photographed smoking, despite smoking two packs a day at the time. Grant quit smoking in the early 1950s through hypnotherapy. He remained health conscious, staying very trim and athletic even into his late career, though Grant admitted he "never crook[ed] a finger to keep fit". He claimed that he did "everything in moderation. Except making love."
Grant's daughter Jennifer stated that her father made hundreds of friends from all walks of life, and that their house was frequently visited by the likes of Frank and Barbara Sinatra, Quincy Jones, Gregory Peck and his wife Veronique, Johnny Carson and his wife, Kirk Kerkorian and Merv Griffin. She said that Cary Grant and Frank Sinatra were the closest of friends and that the two men had a similar radiance and "indefinable incandescence of charm", and were eternally "high on life". While raising Jennifer, Grant archived artifacts of her childhood and adolescence in a bank-quality, room-sized vault he had installed in the house. Jennifer attributed this meticulous collection to the fact that artifacts of his own childhood had been destroyed during the Luftwaffe's bombing of Bristol in World War II (an event that also claimed the lives of his uncle, aunt, cousin, and the cousin's husband and grandson), and he may have wanted to prevent her from experiencing a similar loss.
Grant lived with actor Randolph Scott off and on for 12 years, which some claimed was a homosexual relationship. The two met early on in Grant's career in 1932 at the Paramount studio when Scott was filming Sky Bride while Grant was shooting Sinners in the Sun, and they moved in together soon afterward. Scott's biographer Robert Nott states that there is no evidence that Grant and Scott were homosexual, and blames rumors on material written about them in other books. Grant's daughter, Jennifer, also denied the claims. When Chevy Chase joked on television in 1980 that Grant was a "homo. What a gal!", Grant sued him for slander, and Chase was forced to retract his words. Grant became a fan of the comedians Morecambe and Wise in the 1960s, and remained friends with Eric Morecambe until his death in 1984.
Grant began experimenting with the drug LSD in the late 1950s, before it became popular. His wife at the time, Betsy Drake, displayed a keen interest in psychotherapy, and through her Grant developed a considerable knowledge of the field of psychoanalysis. Radiologist Mortimer Hartman began treating him with LSD in the late 1950s, with Grant optimistic that the treatment could make him feel better about himself and rid of all of his inner turmoil stemming from his childhood and his failed relationships. He had an estimated 100 sessions over several years. For a long time, Grant viewed the drug positively, and stated that it was the solution after many years of "searching for his peace of mind", and that for the first time in his life he was "truly, deeply and honestly happy". Dyan Cannon claimed during a court hearing that he was an "apostle of LSD", and that he was still taking the drug in 1967 as part of a remedy to save their relationship. Grant later remarked that "taking LSD was an utterly foolish thing to do but I was a self-opinionated boor, hiding all kinds of layers and defenses, hypocrisy and vanity. I had to get rid of them and wipe the slate clean."
Relationships
Grant was married five times. He wed Virginia Cherrill on February 9, 1934, at the Caxton Hall registry office in London. She divorced him on March 26, 1935, following charges that he had hit her. The two were involved in a bitter divorce case which was widely reported in the press, with Cherrill demanding $1,000 a week from him in benefits from his Paramount earnings. After the demise of the marriage, he dated actress Phyllis Brooks from 1937. They considered marriage and vacationed together in Europe in mid-1939, visiting the Roman villa of Dorothy Taylor Dentice di Frasso in Italy, but the relationship ended later that year.
He married Barbara Hutton in 1942, one of the wealthiest women in the world, following a $50 million inheritance from her grandfather Frank Winfield Woolworth. They were derisively nicknamed "Cash and Cary", although Grant refused any financial settlement in a prenuptial agreement to avoid the accusation that he married for money. Towards the end of their marriage they lived in a white mansion at 10615 Bellagio Road in Bel Air. They divorced in 1945, although they remained the "fondest of friends". He dated Betty Hensel for a period, then married Betsy Drake on December 25, 1949, the co-star of two of his films. This proved to be his longest marriage, ending on August 14, 1962.
Grant married Dyan Cannon on July 22, 1965, at Howard Hughes' Desert Inn in Las Vegas, and their daughter Jennifer was born on February 26, 1966, his only child; he frequently called her his "best production". He said of fatherhood:
- "My life changed the day Jennifer was born. I've come to think that the reason we're put on this earth is to procreate. To leave something behind. Not films, because you know that I don't think my films will last very long once I'm gone. But another human being. That's what's important."
On March 12, 1968, Grant was involved in a car accident in Queens, New York, en route to JFK Airport, when a truck hit the side of his limousine. Grant was hospitalized for 17 days with three broken ribs and bruising. A female companion, Baroness Gratia von Furstenberg, was also injured in the accident. Nine days later, Grant and Cannon divorced.
Grant had a brief affair with actress Cynthia Bouron in the late 1960s. He had been at odds with the Academy of Motion Picture Arts and Sciences since 1958, but he was named as the recipient of an Academy Honorary Award in 1970. Grant announced that he would attend the awards ceremony to accept his award, thus ending his 12-year boycott of the ceremony. Two days after this announcement, Bouron filed a paternity suit against him and publicly stated that he was the father of her seven-week-old daughter, and she named him as the father on the child's birth certificate. Grant challenged her to a blood test and Bouron failed to provide one, and the court ordered her to remove his name from the certificate. Between 1973 and 1977, he dated British photojournalist Maureen Donaldson, followed by the much younger Victoria Morgan.
On April 11, 1981, Grant married Barbara Harris, a British hotel public relations agent who was 47 years his junior. The two had met in 1976 at the Royal Lancaster Hotel in London where Harris was working at the time and Grant was attending a Fabergé conference. They became friends, but it was not until 1979 that she moved to live with him in California. Grant's friends felt that she had a positive impact on him, and Prince Rainier of Monaco remarked that Grant had "never been happier" than he was in his last years with her.
Politics
Biographer Nancy Nelson noted that Grant did not openly align himself with political causes but occasionally commented on current events. Grant spoke out against the blacklisting of his friend Charlie Chaplin during the period of McCarthyism, arguing that Chaplin was not a communist and that his status as an entertainer was more important than his political beliefs. In 1950, he told a reporter that he would like to see a female president of the United States but asserted a reluctance to comment on political affairs, believing it was not the place of actors to do so.
In 1976, Grant made a public appearance at the Republican Party National Convention in Kansas City during which he gave a speech in support of Gerald Ford's reelection and for female equality before introducing Betty Ford onto the stage. A 1977 interview with Grant in The New York Times noted his political beliefs to be conservative but observed Grant did not actively campaign for candidates.
Death
Grant was at the Adler Theater in Davenport, Iowa, on the afternoon of Saturday, November 29, 1986, preparing for his performance in A Conversation with Cary Grant when he was taken ill; he had been feeling unwell as he arrived at the theater. Basil Williams photographed him there and thought that he still looked his usual suave self, but he noticed that he seemed very tired and that he stumbled once in the auditorium. Williams recalls that Grant rehearsed for half an hour before "something seemed wrong" all of a sudden, and he disappeared backstage. Grant was taken back to the Blackhawk Hotel where he and his wife had checked in, and a doctor was called and discovered that Grant was having a massive stroke, with a blood pressure reading of 210 over 130. Grant refused to be taken to the hospital. The doctor recalled: "The stroke was getting worse. In only fifteen minutes he deteriorated rapidly. It was terrible watching him die and not being able to help. But he wouldn't let us." By 8:45 p.m., Grant had slipped into a coma and was taken to St. Luke's Hospital in Davenport, Iowa. He spent 45 minutes in the emergency room before being transferred to intensive care. He died at 11:22 p.m., aged 82.
Death? Of course I think of it. But I don't want to dwell on it ... I think the thing you think about when you're my age is how you're going to do it and whether you'll behave well.
An editorial in The New York Times stated: "Cary Grant was not supposed to die. ... Cary Grant was supposed to stick around, our perpetual touchstone of charm and elegance and romance and youth." His body was taken back to California, where it was cremated and his ashes scattered in the Pacific Ocean. No funeral was conducted for him following his request, which Roderick Mann remarked was appropriate for "the private man who didn't want the nonsense of a funeral". His estate was worth in the region of 60 to 80 million dollars; the bulk of it went to Barbara Harris and Jennifer.
Screen persona
McCann wrote that one of the reasons why Grant's film career was so successful is that he was not conscious of how handsome he was on screen, acting in a fashion that was most unexpected and unusual from a Hollywood star of that period. George Cukor once stated: "You see, he didn't depend on his looks. He wasn't a narcissist, he acted as though he were just an ordinary young man. And that made it all the more appealing, that a handsome young man was funny; that was especially unexpected and good because we think, 'Well, if he's a Beau Brummel, he can't be either funny or intelligent, but he proved otherwise". Jennifer Grant acknowledged that her father neither relied on his looks nor was a character actor and said that he was just the opposite of that, playing the "basic man".
Grant's appeal was unusually broad among both men and women. Pauline Kael remarked that men wanted to be him and women dreamed of dating him. She noticed that Grant treated his female co-stars differently than many of the leading men at the time, regarding them as subjects with multiple qualities rather than "treating them as sex objects". Leslie Caron said that he was the most talented leading man she had worked with. David Shipman writes that "more than most stars, he belonged to the public". A number of critics have argued that Grant had the rare star ability to turn a mediocre picture into a good one. Philip T. Hartung of The Commonweal stated in his review of Mr. Lucky (1943) that, if it "weren't for Cary Grant's persuasive personality, the whole thing would melt away to nothing at all". Political theorist C. L. R. James saw Grant as a "new and very important symbol", a new type of Englishman who differed from Leslie Howard and Ronald Colman, who represented the "freedom, natural grace, simplicity, and directness which characterize such different American types as Jimmy Stewart and Ronald Reagan", which ultimately symbolized the growing relationship between Britain and America.
Once he realized that each movement could be stylized for humor, the eyepopping, the cocked head, the forward lunge, and the slightly ungainly stride became as certain as the pen strokes of a master cartoonist.
McCann notes that Grant typically played "wealthy privileged characters who never seemed to have any need to work in order to maintain their glamorous and hedonistic lifestyle". Martin Stirling thought that Grant had an acting range which was "greater than any of his contemporaries", but felt that a number of critics underrated him as an actor. He believes that Grant was always at his "physical and verbal best in situations that bordered on farce". Charles Champlin identifies a paradox in Grant's screen persona, in his unusual ability to "mix polish and pratfalls in successive scenes". He remarks that Grant was "refreshingly able to play the near-fool, the fey idiot, without compromising his masculinity or surrendering to camp for its own sake". Wansell further notes that Grant could, "with the arch of an eyebrow or the merest hint of a smile, question his own image". Stanley Donen stated that his real "magic" came from his attention to minute details and always seeming real, which came from "enormous amounts of work" rather than being God-given. Grant remarked on his career: "I guess to a certain extent I did eventually become the characters I was playing. I played at being someone I wanted to be until I became that person, or he became me". He professed that the real Cary Grant was more like his scruffy, unshaven fisherman in Father Goose than the "well-tailored charmer" of Charade.
Grant often poked fun at himself with statements such as, "Everyone wants to be Cary Grant—even I want to be Cary Grant", and in ad-lib lines such as in His Girl Friday (1940): "Listen, the last man who said that to me was Archie Leach, just a week before he cut his throat." In Arsenic and Old Lace (1944), a gravestone is seen bearing the name Archie Leach. Alfred Hitchcock thought that Grant was very effective in darker roles, with a mysterious, dangerous quality, remarking that "there is a frightening side to Cary that no one can quite put their finger on". Wansell notes that this darker, mysterious side extended to his personal life, which he took great lengths to cover up in order to retain his debonair image.
Legacy
No other man seemed so classless and self-assured ... at ease with the romantic as the comic ... aged so well and with such fine style ... in short, played the part so well: Cary Grant made men seem like a good idea.
—Biographer Graham McCann on Cary Grant. Biographers Morecambe and Stirling believe that Cary Grant was the "greatest leading man Hollywood had ever known". Schickel stated that there are "very few stars who achieve the magnitude of Cary Grant, art of a very high and subtle order" and thought that he was the "best star actor there ever was in the movies". David Thomson and directors Stanley Donen and Howard Hawks concurred that Grant was the greatest and most important actor in the history of the cinema. He was a favorite of Hitchcock, who admired him and called him "the only actor I ever loved in my whole life", and remained one of Hollywood's top box-office attractions for almost 30 years. Pauline Kael stated that the world still thinks of him affectionately because he "embodies what seems a happier time−a time when we had a simpler relationship to a performer".
Grant was nominated for Academy Awards for Penny Serenade (1941) and None But the Lonely Heart (1944), but he never won a competitive Oscar; he received a special Academy Award for Lifetime Achievement in 1970. The inscription on his statuette read "To Cary Grant, for his unique mastery of the art of screen acting with respect and affection of his colleagues". Presenting the award to Grant, Frank Sinatra announced: "No one has brought more pleasure to more people for so many years than Cary has, and nobody has done so many things so well".
Grant was awarded a special plaque at the Straw Hat Awards in New York in May 1975 which recognized him as a "star and superstar in entertainment". The following August, Betty Ford invited him to give a speech at the Republican National Convention in Kansas City and to attend the Bicentennial dinner for Queen Elizabeth II at the White House that same year. He was invited to a royal charity gala in 1978 at the London Palladium. In 1979, he hosted the American Film Institute's tribute to Alfred Hitchcock, and presented Laurence Olivier with his honorary Oscar. In 1981, Grant was accorded the Kennedy Center Honors. Three years later, a theater on the MGM lot was renamed the "Cary Grant Theatre". In 1995, more than 100 leading film directors were asked to reveal their favorite actor of all time in a Time Out poll, and Grant came second only to Marlon Brando. On December 7, 2001, a statue of Grant by Graham Ibbeson was unveiled in Millennium Square, a regenerated area next to Bristol Harbour, Bristol, the city where he was born. In November 2005, Grant again came first in Premiere magazine's list of "The 50 Greatest Movie Stars of All Time". The biennial Cary Comes Home Festival was established in 2014 in his hometown Bristol. McCann declared that Grant was "quite simply, the funniest actor cinema has ever produced".
Grant was portrayed by John Gavin in the 1980 made-for-television biographical film Sophia Loren: Her Own Story.
Filmography and stage work
From 1932 to 1966, Grant starred in over seventy films. In 1999, the American Film Institute named him the second-greatest male star of Golden Age Hollywood cinema (after Humphrey Bogart). He was nominated for the Academy Award for Best Actor for Penny Serenade (1941) and None but the Lonely Heart (1944).
Filmography
- Wikipedia article: Cary Grant Filmography
External links
- Cary Grant at the Internet Movie Databasegrace k
- Cary Grant at All Music Guide
- Cary Grant at the Turner Classic Movie Database
- Cary Grant at the Internet Broadway Database
- Wikipedia article: Cary Grant
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Note: Cary Grant was a volunteer at the Hollywood Canteen |
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