Almost Adults

Almost Adults

Almost Adults is a 2016 Canadian comedy film directed by Sarah Rotella starring Elise Bauman and Natasha Negovanlis. The film is a platonic love story about two lifelong best friends struggling to keep their friendship together as their lives head in different directions. It was written by Adrianna DiLonardo.

Premise

The film follows two best friends in their final year of college while they transition into adulthood. One embraces her sexuality and tries to catch up on everything she has missed during her teenage years, while the other ends a long-term relationship with her boyfriend and discovers her life isn't going as planned. Both struggle to keep their friendship together as they begin growing apart.

Reception

Buzzfeed included Almost Adults in their list "25 Films That Have Made A Difference To The LGBT Community". Autostraddle praised the film for flipping the script on classic lesbian movie tropes, commenting that the story wasn't about either of the characters having feelings for the other, or Mack coming out and Cassie not accepting her, but rather that they were both "young and selfish and trying to figure out who they were and how they fit into each other's lives." Curve said the "film takes a light-hearted and comedic approach at portraying the struggles all young adults face."

The Hollywood Reporter gave a positive review, stating, "... above all else, it excels at remaining inoffensive, which isn't always the best approach for an adult comedy dealing with high-stakes personal issues." The review praised Negovanlis and Bauman's chemistry but stated, "The comedic quotient drops noticeably in scenes with mostly underwhelming supporting cast members." The review criticized the film's prediction but praised Rotella for "[having] an eye for visual humor and comedic timing."

DorkShelf.com Casey Reid wrote a positive review in regards to the movie both by praising the movie itself and the director, "Almost Adults is a cohesive debut film that shows our digital age's love and relationships in a fresh way, signaling a promising career for Sarah Rotella." She continues, "What makes Almost Adults refreshing is that it's reflexive of contemporary queer culture, albeit white-centric, in a way that signals a shift in queer cinema. While it does not quite touch on ideas of nostalgia so entrenched in queer cinema, it seems to directly reflect how young people connect and disconnect with themselves and each other." However, she does mention how the films "lacks depth in certain areas."