Ann Miller: Difference between revisions
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{{Header|'''Ann Miller'''}} | {{Header|'''Ann Miller'''}} | ||
{{DEFAULTSORT:Miller, Ann}} | {{DEFAULTSORT:Miller, Ann}} | ||
{{Infobox | {{Infobox person | ||
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| name = Ann Miller | | name = Ann Miller | ||
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{{shp|pin=1|msh=1|yank=1|show=1}} | {{shp|pin=1|msh=1|yank=1|show=1}} | ||
'''Ann Miller''' (April 12, 1923 - January 22, 2004) was an American dancer, [[singer]] and actress | '''Ann Miller''' (April 12, 1923 - January 22, 2004) was an American [[dancer]], [[singer]] and actress | ||
== Early life == | == Early life == | ||
Miller was born Johnnie Lucille Ann Collier in Chireno, Texas, daughter of Clara Emma (née Birdwell) and John Alfred Collier, a criminal lawyer who represented Bonnie Parker, Clyde Barrow and Baby Face Nelson, among others. Miller's maternal grandmother was Cherokee. Miller's father insisted on the name Johnnie because he had wanted a boy, but she was often called Annie. She took up dancing to exercise her legs to help her rickets. She was considered a child dance prodigy. In an interview featured in a "behind the scenes" documentary on the making of the compilation ''"That's Entertainment III"'', she said that Eleanor Powell was an early inspiration. | Miller was born Johnnie Lucille Ann Collier in Chireno, Texas, daughter of Clara Emma (née Birdwell) and John Alfred Collier, a criminal lawyer who represented Bonnie Parker, Clyde Barrow and Baby Face Nelson, among others. Miller's maternal grandmother was Cherokee. Miller's father insisted on the name Johnnie because he had wanted a boy, but she was often called Annie. She took up dancing to exercise her legs to help her rickets. She was considered a child dance prodigy. In an interview featured in a "behind the scenes" [[documentary]] on the making of the compilation ''"That's Entertainment III"'', she said that [[Eleanor Powell]] was an early inspiration. | ||
== Career == | == Career == | ||
Miller was given a contract with [[RKO]] at the age of thirteen (she had told them she was eighteen), and remained there until 1940. The following year, Miller was offered a contract at [[Columbia Pictures]], where she bumped friend [[Lucille Ball]] from the throne as "Queen of the B-Movies". She finally hit her mark (starting in the late 1940s) in her roles in [[MGM]] musicals such as | Miller was given a contract with [[RKO]] at the age of thirteen (she had told them she was eighteen), and remained there until 1940. The following year, Miller was offered a contract at [[Columbia Pictures]], where she bumped friend [[Lucille Ball]] from the throne as "Queen of the B-Movies". She finally hit her mark (starting in the late 1940s) in her roles in [[MGM]] musicals such as ''[[Kiss Me, Kate]]'', ''Easter Parade'', and ''On the Town''. | ||
Miller was famed for her speed in tap dancing; she claimed to be able to tap 500 times per minute. She was known as well, especially later in her career, for her distinctive appearance, which reflected a studio-era ideal of glamour: massive black bouffant hair, heavy makeup with a slash of crimson lipstick, and fashions that emphasized her lithe figure and long dancer's legs. Her film career effectively ended in 1956 as the studio system lost steam to television, but she remained active in the theatre and on television. In 1979 she astounded audiences in the Broadway show Sugar Babies with fellow MGM veteran Mickey Rooney, which toured the United States extensively after its Broadway run. In 1983 she won the [[ | Miller was famed for her speed in tap dancing; she claimed to be able to tap 500 times per minute. She was known as well, especially later in her career, for her distinctive appearance, which reflected a studio-era ideal of glamour: massive black bouffant hair, heavy makeup with a slash of crimson lipstick, and fashions that emphasized her lithe figure and long [[dancer]]'s legs. Her film career effectively ended in 1956 as the studio system lost steam to television, but she remained active in the theatre and on television. In 1979 she astounded audiences in the Broadway show Sugar Babies with fellow MGM veteran Mickey Rooney, which toured the United States extensively after its Broadway run. In 1983 she won the [[Sarah Siddons Award]] for her work in Chicago theatre. | ||
She appeared in a special 1982 episode of ''"The Love Boat"'', joined by fellow showbiz legends [[Ethel Merman]], [[Carol Channing]], Della Reese, Van Johnson, and Cab Calloway in a storyline that cast them as older relatives of the show's regular characters. In 2001 she took her last role, playing Coco in auteur director David Lynch's critically acclaimed | She appeared in a special 1982 episode of ''"The Love Boat"'', joined by fellow showbiz legends [[Ethel Merman]], [[Carol Channing]], Della Reese, [[Van Johnson]], and [[Cab Calloway]] in a storyline that cast them as older relatives of the show's regular characters. In 2001 she took her last role, playing Coco in auteur director David Lynch's critically acclaimed ''Mulholland Drive''. Her last stage performance was a 1998 production of''"Stephen Sondheim's Follies"'', in which she played the hardboiled survivor Carlotta Campion and received rave reviews for her rendition of the anthemic ''"I'm Still Here"''. | ||
Miller also performed a guest appearance on | Miller also performed a guest appearance on ''Home Improvement'' as a dance instructor to Tim and Jill. For her contribution to the motion picture industry, Ann Miller has a star on the {{lc1|Hollywood Walk of Fame}} at 6914 Hollywood Blvd. | ||
She died at the age of 80 from cancer which had metastasized to her lungs, and was interred in the Holy Cross Cemetery in Culver City, California. | She died at the age of 80 from cancer which had metastasized to her lungs, and was interred in the Holy Cross Cemetery in Culver City, California. | ||
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<table width="95%" border="1" align="center"> | <table width="95%" border="1" align="center"> | ||
<div style='-moz-column-count:2; border: solid lightblue; column-count:2; border: solid lightblue;'> | <div style='-moz-column-count:2; border: solid lightblue; column-count:2; border: solid lightblue;'> | ||
* | *''Anne of Green Gables'' (1934) | ||
* | *''The Good Fairy'' (1935) | ||
* | *''The Devil on Horseback'' (1936) | ||
* | *''New Faces of 1937'' (1937) | ||
* | *''The Life of the Party'' (1937) | ||
* | *''Stage Door'' (1937) | ||
* | *''Radio City Revels'' (1938) | ||
* | *''Having Wonderful Time'' (1938) | ||
* | *''You Can't Take It with You'' (1938) | ||
* | *''Room Service'' (1938) | ||
* | *''Tarnished Angel'' (1938) | ||
* | *''Too Many Girls'' (1940) | ||
* | *''Hit Parade of 1941'' (1940) | ||
* | *''Melody Ranch'' (1940) | ||
* | *''Time Out for Rhythm'' (1941) | ||
* | *''Go West, Young Lady'' (1941) | ||
* | *''True to the Army'' (1942) | ||
* | *''Priorities on Parade'' (1942) | ||
* | *''Reveille with Beverly'' (1943) | ||
* | *''What's Buzzin', Cousin?'' (1943) | ||
* | *''Hey, Rookie'' (1944) | ||
* | *''Jam Session'' (1944) | ||
* | *''Carolina Blues'' (1944) | ||
* | *''Eadie Was a Lady'' (1945) | ||
* | *''Eve Knew Her Apples'' (1945) | ||
* | *''The Thrill of Brazil'' (1946) | ||
* | *''Easter Parade'' (1948) | ||
* | *''The Kissing Bandit'' (1948) | ||
* | *''On the Town'' (1949) | ||
* | *''Watch the Birdie'' (1950) | ||
* | *''Texas Carnival'' (1951) | ||
* | *''Two Tickets to Broadway'' (1951) | ||
* | *''Lovely to Look At'' (1952) | ||
* | *''Small Town Girl'' (1953) | ||
* | *''[[Kiss Me, Kate]]'' (1953) | ||
* | *''Deep in My Heart'' (1954) | ||
* | *''Hit the Deck'' (1955) | ||
* | *''The Opposite Sex'' (1956) | ||
* | *''The Great American Pastime'' (1956) | ||
* | *''Won Ton Ton, the Dog Who Saved Hollywood'' (1976) | ||
* | *''A Century of Cinema'' (1994) (documentary) | ||
* | *''That's Entertainment! III'' (1994) | ||
* | *''Mulholland Drive'' (2001) | ||
* | *''Broadway: The Golden Age, by the Legends Who Were There'' (2003) (documentary) | ||
* | *''Goodnight, We Love You'' (2004) (documentary) | ||
</div> | </div> | ||
</td></tr></table> | </td></tr></table> | ||
Latest revision as of 03:40, 5 September 2024
| Ann Miller | ||
 Ann Miller | ||
| Background information | ||
| Born as: | Johnnie Lucille Ann Collier | |
| Born | Apr 12, 1923 Chireno, Texas, USA 
| |
| Died | Jan 22, 2004 - at age 81 Los Angeles, CA USA | |
| Spouse(s): | Reese Milner (Feb 16, 1946 - ?) (divorced) Bill Moss (Aug 22 1958 - May 11 1961) (divorced) Arthur Cameron (1961 - 1962) (divorced) | |
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Ann Miller (April 12, 1923 - January 22, 2004) was an American dancer, singer and actress
Early life
Miller was born Johnnie Lucille Ann Collier in Chireno, Texas, daughter of Clara Emma (née Birdwell) and John Alfred Collier, a criminal lawyer who represented Bonnie Parker, Clyde Barrow and Baby Face Nelson, among others. Miller's maternal grandmother was Cherokee. Miller's father insisted on the name Johnnie because he had wanted a boy, but she was often called Annie. She took up dancing to exercise her legs to help her rickets. She was considered a child dance prodigy. In an interview featured in a "behind the scenes" documentary on the making of the compilation "That's Entertainment III", she said that Eleanor Powell was an early inspiration.
Career
Miller was given a contract with RKO at the age of thirteen (she had told them she was eighteen), and remained there until 1940. The following year, Miller was offered a contract at Columbia Pictures, where she bumped friend Lucille Ball from the throne as "Queen of the B-Movies". She finally hit her mark (starting in the late 1940s) in her roles in MGM musicals such as Kiss Me, Kate, Easter Parade, and On the Town.
Miller was famed for her speed in tap dancing; she claimed to be able to tap 500 times per minute. She was known as well, especially later in her career, for her distinctive appearance, which reflected a studio-era ideal of glamour: massive black bouffant hair, heavy makeup with a slash of crimson lipstick, and fashions that emphasized her lithe figure and long dancer's legs. Her film career effectively ended in 1956 as the studio system lost steam to television, but she remained active in the theatre and on television. In 1979 she astounded audiences in the Broadway show Sugar Babies with fellow MGM veteran Mickey Rooney, which toured the United States extensively after its Broadway run. In 1983 she won the Sarah Siddons Award for her work in Chicago theatre.
She appeared in a special 1982 episode of "The Love Boat", joined by fellow showbiz legends Ethel Merman, Carol Channing, Della Reese, Van Johnson, and Cab Calloway in a storyline that cast them as older relatives of the show's regular characters. In 2001 she took her last role, playing Coco in auteur director David Lynch's critically acclaimed Mulholland Drive. Her last stage performance was a 1998 production of"Stephen Sondheim's Follies", in which she played the hardboiled survivor Carlotta Campion and received rave reviews for her rendition of the anthemic "I'm Still Here".
Miller also performed a guest appearance on Home Improvement as a dance instructor to Tim and Jill. For her contribution to the motion picture industry, Ann Miller has a star on the Hollywood Walk of Fame at 6914 Hollywood Blvd.
She died at the age of 80 from cancer which had metastasized to her lungs, and was interred in the Holy Cross Cemetery in Culver City, California.
Pin-up Gallery
Yank Magazine 29 Jun 45
- Ann Miller appeared in YANK magazine on 13 July 1945
Filmography
- Anne of Green Gables (1934)
- The Good Fairy (1935)
- The Devil on Horseback (1936)
- New Faces of 1937 (1937)
- The Life of the Party (1937)
- Stage Door (1937)
- Radio City Revels (1938)
- Having Wonderful Time (1938)
- You Can't Take It with You (1938)
- Room Service (1938)
- Tarnished Angel (1938)
- Too Many Girls (1940)
- Hit Parade of 1941 (1940)
- Melody Ranch (1940)
- Time Out for Rhythm (1941)
- Go West, Young Lady (1941)
- True to the Army (1942)
- Priorities on Parade (1942)
- Reveille with Beverly (1943)
- What's Buzzin', Cousin? (1943)
- Hey, Rookie (1944)
- Jam Session (1944)
- Carolina Blues (1944)
- Eadie Was a Lady (1945)
- Eve Knew Her Apples (1945)
- The Thrill of Brazil (1946)
- Easter Parade (1948)
- The Kissing Bandit (1948)
- On the Town (1949)
- Watch the Birdie (1950)
- Texas Carnival (1951)
- Two Tickets to Broadway (1951)
- Lovely to Look At (1952)
- Small Town Girl (1953)
- Kiss Me, Kate (1953)
- Deep in My Heart (1954)
- Hit the Deck (1955)
- The Opposite Sex (1956)
- The Great American Pastime (1956)
- Won Ton Ton, the Dog Who Saved Hollywood (1976)
- A Century of Cinema (1994) (documentary)
- That's Entertainment! III (1994)
- Mulholland Drive (2001)
- Broadway: The Golden Age, by the Legends Who Were There (2003) (documentary)
- Goodnight, We Love You (2004) (documentary)
External links
- Ann Miller at the Internet Movie Database
- Profile @ Turner Classic Movies
- BBC obituary
- Ann Miller's Photo & Gravesite
- Wikipedia article: Ann Miller
 |
Note: Ann Miller was a volunteer at the Hollywood Canteen |
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