Society of Dilettanti: Difference between revisions
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{{Header|The Society of Dilettanti}} | {{Header|The Society of Dilettanti}} | ||
The '''Society of Dilettanti''', founded in 1734, was a British society of noblemen and scholars that sponsored the study of ancient Greek and Roman art and the creation of new works in that style. | |||
== History == | == History == |
Revision as of 07:47, 24 May 2025
The Society of Dilettanti, founded in 1734, was a British society of noblemen and scholars that sponsored the study of ancient Greek and Roman art and the creation of new works in that style.
History
Although the exact date is unknown, the Society is believed to have been founded as a gentlemen's club in 1734 by a group of individuals who had traveled on the Grand Tour. Records of the society's earliest meeting were recorded somewhat informally on loose sheets of paper. The first entry in the society's initial minute book is dated April 5, 1736. For several years, it held its meetings at the Thatched House Tavern in St. James's.
In 1743, Horace Walpole condemned its affectations and described it as "... a club, for which the nominal qualification is having been in Italy, and the real one, being drunk: the two chiefs are Lord Middlesex and Sir Francis Dashwood, who were seldom sober the whole time they were in Italy."
Initially led by Sir Francis Dashwood, the group included several dukes and was later joined by Joshua Reynolds, David Garrick, Uvedale Price, and Richard Payne Knight, among others. It was closely associated with Brooks's, one of London's most exclusive gentlemen's clubs. The society quickly became wealthy through a system in which members contributed to various funds to support building schemes and archaeological expeditions.
The first artist associated with the group was George Knapton.
The Society of Dilettanti aimed to correct and purify the public taste of the country; from the 1740s, it began to support Italian opera. A few years before Joshua Reynolds became a member, the group worked towards the objective of forming a public academy, and from the 1750s, it was the prime mover in establishing the Royal Academy of Arts. In 1775, the club had accumulated enough money towards a scholarship fund to support a student's travel to Rome and Greece, or for archaeological expeditions such as that of Richard Chandler, William Pars, and Nicholas Revett, the results of which they published in Ionian Antiquities, a significant influence on neoclassicism in Britain.
Among the publications published at the expense of the society was The bronzes of Siris (London, 1836) by Danish archaeologist Peter Oluf Bronsted.
Membership
The society has 60 members, elected by secret ballot. An induction ceremony is held at Brooks's, an exclusive London gentleman's club. It makes annual donations to the British Schools in Rome and Athens, and a separate fund set up in 1984 provides financial assistance for visits to classical sites and museums.